Proof that the Babel story is alive and well

Once, nearly all of the Western World believed something along these lines: the historical truth of the Babel story, the dispersal of the tribes, and the resultant birth of the modern nations and languages. During the 1600s, scores of books were written claiming that this or that nation was descended from the only righteous tribe. What is now very much a fringe ideology was widespread and taken very seriously, and is just beneath the surface of many contemporary beliefs and attitudes. It is part of the foundations of the binary framework so crucial to the operations of our culture, and is almost always expressed with very rigid black-and-white thinking:

"It is an existence that functions in darkness - not in light, in error - not in truth, in unrighteousness - not in righteousness, and in godlessness - not in godliness. The end result of this delusion is the absolute damnation and eternal ruin of its practitioner..." [taken from a post aptly called Babelology]

There is a raw persuasive power to this kind of logic. It's like the crocodile, unchanged and undiminished for millennia. Living here in the City, I fear and respect it.

Brick for Stone

i'm experimenting with new approaches to the problem of linking objects to networks of meaning and context. here, the clue to the puzzle is hidden in the shadow of the object. it's a reference to the Biblical Tower of Babel story, an important founding text or point of departure for much of my work. in the passage referenced, the builders of Babel are described as using "brick for stone". here we have a brick so worn by its time in the sea that it's taken on the shape of a stone. the Babel story has undergone a similar process; something that was once clearly man-made has become something (mis)taken for a natural, inevitable form. this story, so worn by time and in the telling, is one of thousands that make up the foundations of our culture.

The 2nd or 3rd Temptation

This painting is on a one metre square box canvas, with indian ink, latex, graphite and gilding wax. Plus the ubiquitous transfer type. I am in the process of putting together a small exhibition for Lent about translation and faith: this is the last in a triptych and shows the 2nd or 3rd (depending on whether you credit Luke 4:5-8 or Matthew 4:8-11) temptation of Jesus. After his baptism, Jesus fasts for 40 days in the desert and is then tempted by the devil. Here's Luke in the King James 1611 translation:

5And the devil, taking him up into an high mountain, shewed unto him all the kingdoms of the world in a moment of time.

6And the devil said unto him, All this power will I give thee, and the glory of them: for that is delivered unto me; and to whomsoever I will I give it.

7If thou therefore wilt worship me, all shall be thine.

8And Jesus answered and said unto him, Get thee behind me, Satan: for it is written, Thou shalt worship the Lord thy God, and him only shalt thou serve.

This event parallels those of Deuteronomy 34:1-4 where after 40 days fasting the LORD leads Moses to the top of Pisgah and shows him all the lands Israel will inherit. This will be the first of my Lent triptych, the second being Genesis 11:1-9, the Tower of Babel passage.