Cobble Puzzle

Cobbles in the streets laid by hand like typesetting with lead. Printers' proof marks in fluoro. Taken up, reshuffled and relaid at random, like a typetray dropped on the floor.

Knots

Two knots, made with poly-rope and lots of time. One is 15m of white, the other 10m white and 5m black. These growths or complexes are macquettes for a series of large sculptures I am preparing to make in the New Year.

The Ruin

I am now living in Prague. There is a place here I call The Ruins. One day I found men there. They were marking up the ruins with their bright paint, whether for reconstruction or demolition I do not know. The paint is brighter than anything around it; it takes invisible energy and makes it into light.

Between Heaven & Earth

Between Heaven & Earth was an exhibition of my ongoing work 'The Eisegete's Cell' in my local parish church, St. Andrew's, Bolam. The purpose of the work was to stimulate thought and discussion during Lent about some of the difficult issues surrounding Bible translation and exegesis.

The works comprised three linked groups; a set of four 90x90cm paintings, small sculptures grouped around the Mediæval font, and an installation of books, prints, pins and thread on a table.

The paintings were on three Bible passages; the temptations of Jesus during his 40 days in the wilderness, Moses'40 days on Mt. Sinai and Israel's 40 years wandering, and Genesis XI:1-9, the story of Babel.

Jerusalem

This is the first collage I have made for a couple of years, and comes from my continuing experiments with latex. It is about 70 x 50cm, on greyboard.

Atlas|Shadow

I intend the contents of The Eisegete's Study to each have a digital 'shadow': an image further elaborating the object and its symbolic interconnections that will take the form of a card. These cards will be gathered together in The Card Index, a further part of the Study which will itself have both a physical and digital form.

Atlas

This is a work-in-progress: a large sculpture (for me) made from a table, a concrete sphere and a section of burnt lace. It stands about 70cm high and 40cm wide. The shape of the lace mirrors the 2007 minimum of Arctic sea ice, which happened in mid-September, with the centre of the design corresponding to the Pole. I hope to find some finer lace and make one to scale with the globe, as this one is two or three times too big.

This piece is part of an ongoing project based around the contents of The Eisegete's Study, a room implying/implied by a character I'm working on partly inspired by Origen Adamantius and St. Jerome. Carving Nature at the Joints, The Cartographer's Song and The Second or Third Temptation are also related to this project.